African-American Shakespeare Company is a 501(c)(3) nonprofit organization funded in part by the San Francisco Arts Commission, Grants for the Arts, Shubert Foundation, Bay Area Rapid Transit; and others.
762 Fulton Street, Suite 306
San Francisco, CA 94102
(415) 680-3830
© 2025 African-American Shakespeare Company.
Thomas Akins, Jr. grew up in Oakland, CA, and has been a performer since the age of five, transitioning from church choirs and plays as a child to becoming a music and theatre artist as a teenager and young adult. His artistry has expanded to include music production and writing. Thomas has honed his acting skills through training with Casting Director Mark Teschner, Gregory Burger who coached Lupita Nyong’o, Matthew Barry a film industry expert, and studying Milton’s principles at the school Beverly Hills Playhouse. He also trained in comedy improvisation at the Upright Citizens Brigade. These experiences have equipped him with strong tools for creative play in film, TV, and theatre, with a focus on delivering authentic performances that resonate with audiences. His work includes TV shows like Bel-Air, feature films like Prodigal Husband, short films such as Junior and American Dreams, stage productions such as Cinderella by the African American Shakespeare Company, and Martin Luther King Night at Louis B. Mayer Theatre. Thomas is honored to be a part of the African American Shakespeare Company and ShaXspeare Reimagined.
Rebecca Haley Clark is thrilled to be working with African American Shakespeare Company. She has directed in many places including New York, Brazil, and the UK. She holds an M.F.A. in Directing from the Royal Conservatoire of Scotland, and a B.A. from Columbia University in Drama and Comparative Ethnic Studies. She received a Fulbright grant to study Shakespeare and race in Rio de Janeiro and is currently the Director of Education for Santa Cruz Shakespeare where she will be directing “Master Harold”…and the Boys later this year. www.rebeccahaleyclark.com
Cathryn Cooper is thrilled to join the African-American Shakespeare Company for another incredible opportunity. She graduated from San Francisco State University in 2020 and has since worked as a musical theater Teaching Artist, actor, singer & dancer at various San Francisco theater institutions (Cutting Ball Theater, AASC & StageWrite). Cathryn’s recent artistic pursuits include; Understudy/ Dancer in Cinderella ’24 with AASC, appearing in a MeUndies Seasonal Pajama Print & Media Campaign, Tyler Lauren’s “Come Pick Up the Phone” music video, and portraying Frankie in the world premiere of Women Airforce Service Pilots(W.A.S.P) at Fullerton College. She extends her heartfelt gratitude to her family and friends for their unwavering love and support.
Alexa Briana Crismon is an actor, dancer, and singer originally from the Los Angeles area. She is excited to be working with the African American Shakespeare Company for the first time. Alexa studied at the University of California, Irvine, where she earned a BA in Drama. She also studied in a conservatory program in New York and showcased her talents in an Off-Off Broadway production called Dustin Gavin’s PI. Some of Alexa’s Regional theatre productions include All Shook Up at the Laguna Playhouse, where she had the honor of playing Lorraine, Haiti at Will Geer Theatricum Botanicum, and Fancy Nancy at the Chance Theatre. Alexa is also an advocate for trauma-informed healing and behavioral health. She has combined her talents and knowledge as an ACSW to cultivate healing through artistic expression.
Growing up in Hawaii but originally from the Bay Area, Brandon DiPaola is an actor, fight director, and instructor with Dueling Arts International. Brandon started his training at the Hawaii Conservatory of Performing Arts where he found a love for theater. His passion led him to study at the East 15 Acting School in England where he holds a Bachelor’s in Acting and Stage Combat. Brandon performed in theaters throughout the Island such as Paliku Theatre, UH Manoa, and Kumu Kahua Theatre. He has appeared in many seasons of the Hawaii Shakespeare Festival in prominent roles as Cuddy Banks(The Witch of Edmonton) and Edgar(King Lear). He was honored with the Excellence in Service Award from Paliku Theatre at the 2020 Po’okela Awards. His recent Bay Area roles include Choir Boy at Shotgun Player and Nofal in Leili & Majnun at Central Stage. Some of his fight-directing credits include The Three Feathers, Arsenic and Old Lace and Cabaret for the Center Rep, Midsummer Night’s Dream and multiple productions of She Kills Monsters.
Ms. Evans-Erville has worn many hats in the Theatre Industry, including acting with African American Shakespeare Company (Cinderella, School for Scandal, Tartuffe), Lorraine Hansberry Theatre (Twelfth Night), and Marin Shakespeare Company (Taming of the Shrew, Robin Hood). She has taught Shakespeare and theatre courses with the San Francisco Shakespeare Festival, Theatreworks, and Marin Theatre Company. As a director, she has worked with African American Shakespeare (hip-hop MacB, Taming of the Shrew, and The African Company Presents Richard III by Carlyle Brown), Women’s Will (A Midsummer Night’s Dream), and Colorado Shakespeare (Our Town). Ms. Evans-Erville has been the Artistic Director at both African American Shakespeare Company and Women’s Will, the Director of Education at San Francisco Shakespeare Festival and Marin Theatre, and the Managing Director-Artistic Director at the now-closed Theatre First. As a playwright, her short plays have been featured at Playground, Berkeley, and the North Carolina Women’s Theatre Festival. The Lies That Bind was a semi-finalist for the Playwrights Festival.
Gabriel L. Garrett is a 34-year-old veteran with a passion for acting. Growing up, he was enamored with the craft, inspired by relatives performing in musicals such as The Little Shop of Horrors and by seeing actors and actresses who looked like him win Oscars. However, he did not get his first taste of acting until auditioning for two high school plays at Terra Nova.
In his mid-twenties, after surviving a military career and a tour overseas, Gabriel seized the opportunity to write, direct, and star in two Filipino Cultural Night productions while attending Skyline Community College in San Mateo. Although the experience was bittersweet, earning his associate’s degree allowed him to transfer to San Francisco State University, where he completed a bachelor’s degree in Broadcast and Electronic Communications.
Roosevelt Green is an actor from San Diego, California, now living in the Bay Area. His recent stage credits include To Kill a Mockingbird (Saville Theatre), Anatomy of Grey (Saville Theatre), William Shakespeare’s King Lear (Stardust Theatricals), A Raisin in the Sun (Don Powell Theatre), he also stared in Franz Kafka’s Metamorphosis (San Diego State University) Much Ado About Nothing (San Diego State University) both produced as online performances during COVID, he extended his voice as the Narrator for She Kills Monsters (Don Powell Theatre), and Cinderella (Herbst Theatre) at the African American Shakespeare Company. Now, he’s playing classic characters from numerous William Shakespeare plays in Shaxspeare Reimagined.
Mya Harris is thrilled to make her debut with the African American Shakespeare Company. With a deep passion for theater that was sparked by her mother’s love for the arts, Mya has embraced storytelling as a powerful means of expression.
Outside of the theater, she works as a Production Planner at Benefit Cosmetics under the LVMH Group and serves as co-chair of the Black@Benefit ERG, where she champions cultural representation and community engagement. She is honored to be part of this production and grateful for the opportunity to bring these timeless stories to life.
Awele [ah-WAY-lay] (MotherBoard) is featured in the HBO Emmy-winning documentary We Are The Dream: The Oakland Kids of the MLK Oratorical (HBO, Amazon Prime), which was recognized with an Outstanding Children’s Program award. She also starred in A Pocket Magic Flute (Dark Queen of the Night) for Pocket Opera. On stage, her credits include Crawfish: We The Invisible (Mom), Unpacking in P’Town at New Conservatory Theatre Conservatory (Lydia), Exodus to Eden at Oakland Theatre Project (Mary), and People’s History of Next at Theatre First (Time Traveler). Awele has also performed in Waafrica 123 at Theatre First (Mama Mugabe/Wife #1) and is thrilled to return to African American Shakespeare in her fourth role, portraying the Queen of Hearts in Alice in Wonderland, as well as having appeared in The Winter’s Tale (Shepherd/Antigonus) and Xtigone (Spirit/Blind Woman Prophet). An internationally renowned storyteller, Awele is also an acclaimed recording artist with a global touring presence across five continents. Her albums include Tell That Tale Again, This Land Is Your Land, The Undiscovered Explorer: Imagining York, and More. For more information, visit Awele.com.
AeJay Antonis Marquis (They/Them) is a performance artist, scholar, educator, and activist committed to transforming theatre. A PhD student in Performance Studies at UC Berkeley, their work explores Black and Queer cultural safety, decolonizing theatre, and queer political performance. Formerly the Director of Theatre at Contra Costa School of Performing Arts, AeJay’s Bay Area contributions include directing, choreographing, acting, and dramaturgy, including several performances with African-American Shakes. They are directing The Magnolia Ballet by Terry Guest at Shotgun Players this summer. AeJay also serves as an Artistic Associate at the Marin Shakespeare Company, an Artistic Producer at the Playwrights Foundation, and an Education Program Associate at Berkeley Repertory Theatre. They are also a proud GAAP Fellow and company member with Black Artists Contemporary Cultural Experience.
Ashley Raggs is an actress and San Francisco native. She graduated from the San Francisco School of the Arts. There she studied movement and ethnic dance, playwriting, voice and speech, Shakespeare, directing, periods and styles, script analysis, theatrical literature, Commedia dell’arte, Alexander Technique, and Noh Theatre. She won 2nd place in the SF School of The Arts Shakespeare competition in 2007 and 2008. Some of her theatre credits include; Murder in The First on TNT, Chance on Hulu, Helen’s Last Love, and her latest movie “X“. You can find the movie “X” on Amazon Prime Video https://www.everybodylovesx.com/.
Ije Success is an artist based in the San Francisco Bay Area. She is returning to the African-American Shakespeare Company after playing Jasmine in Pipeline by Dominique Morisseau and Lucentio in The Taming of the Shrew by William Shakepeare. She studied theater at UC Berkeley where she received the Grace Sprague Pillsbury & Josephine Park Pillsbury Actress of Excellence award, given to one female student in the department every year. Other on-stage works include Bell in sAiNt jOaN (burn/burn/burn) by Lisa Ramirez (Oakland Theater Project, San Francisco Bay Area Theatre Critics Circle Award Nomination); The Museum Annex by Mildred Lewis (Central Works); Abigail Williams in The Crucible (Oakland Theater Project); and Boys Go To Jupiter (Word for Word). She goes by Success or Ije (ee-jey). www.ijesuccess.com
Dawn Monique Williams (she/her), an Oakland native, served four years as Associate Artistic Director at Aurora Theatre Company and was an Artistic Associate and a resident artist at the Oregon Shakespeare Festival for six seasons. Her OSF directing credits include Jane Eyre (2024), Twelfth Night (2023), and Merry Wives of Windsor (2017). Williams is a nationally celebrated director having worked in theatres including The Kennedy Center, Orlando Shakespeare, American Shakespeare Center, Cal Shakes, Profile Theatre (Portland), Third Rail Rep, American Conservatory Theatre, Chautauqua Theatre Company, Marin Theatre Company, Elm Shakespeare, New Jersey Rep. She holds an MA in Dramatic Literature, an MFA in Directing, and advanced certificates in Film Studies and Screenwriting. She recently published a book of poetry, Clothed in My Right Mind. She serves on the Board of Directors for Theatre Bay Area and Playwrights’ Foundation and sits on the Drama League National Directors Council.
Brittany Sade Young is an actor, writer, and director originally from Chicago, IL. Now calling the Bay Area home, she has trained in screenwriting at Second City (Chicago) and acting at Z/A Studios (San Francisco). She is excited to be working with the African-American Shakespeare Company. This spring, she choreographed the Salesian Boys and Girls Club musical, Legally Blonde Jr. In her downtime, she enjoys traveling, working on her screenplay, hiking, and dancing.
Danny is pleased to be with AASC for his first production with the company. He is a theater maker based out of the East Bay Area who wears many hats. A stage manager, actor, director, and teaching artist, he enjoys all aspects of theater and takes pride in contributing to his local community. He is proud to have worked with companies such as New Conservatory Theatre Center, Mountain Play, Eugene O’Neil Festival, and many more. You can see Danny on stage this summer in Altarena Playhouse’s Suddenly Last Summer by Tennessee Williams. Thank you for supporting live theater, enjoy the show!
James Mercer II is a Black American multi-hyphenate artist originally from Philly-adjacent with a passion for expressing the wide-range of the Black American experience with the goal to liberate and expand through the medium of theatre. Bay Area and regional theatre credits include: American Conservatory Theater, Berkeley Rep, African-American Shakespeare Company, Irish Rep, and Arden Theatre Company. James has also worked as a national touring physical actor with Theater Unspeakable (based in Chicago), and has workshopped plays with A.C.T., Penumbra, National Black Theatre, Playwrights Foundation, and Berkeley Rep’s Ground Floor. As a resident artist with African-American Shakespeare Company, James works as a casting director, teaching artist, dramaturg, occasional actor, and production assistant. James graduated from School at Steppenwolf (Group 21) and American Conservatory Theater (MFA).
Composer
Starting in 2004, DeVanté Iman Winn received his first clarinet and has since strived to become a capable composer and multi-instrumentalist. In 2012, DeVanté took a short break from his love of music to join the Army and serve his country. While in the Army, DeVanté discovered his passion for composing, which led to one of his pieces being recorded and performed by the Premier Army Band “Pershing’s Own.”
In 2016, DeVanté left the military with aspirations to learn all he could about music and become a film composer. He enrolled at the Academy of Art University and later at the San Francisco Conservatory of Music, where he studied under Lennie Moore. DeVanté is currently studying composition under Benjamin C.S. Boyle. Throughout his journey, he has taught hundreds of students various instruments and earned a film credit as a musician for the indie film Lyvia’s House. He continues to teach students while working at The Salvation Army.
Leelee Jackson’s work centers on postmodern narratives of the Black diaspora. Mostly inspired by community and Black politics, Jackson wrote her first one-act play, Comb Your Hair (Or You’ll Look Like a Slave), which went on to be a national finalist at the Kennedy Center American College Theatre Festival in 2016 for the John Cauble Outstanding Short Plays Award. Her full-length play Hell|Nah was honored as a finalist at the Austin Film Festival in 2019 and a semi-finalist for the O’Neill National Playwrights Conference. Jackson is committed to creating safer, arts-centered spaces for Black people through nonprofits such as Black Light Arts Collective and her role as Arts Manager at East Oakland Youth Development Center. Jackson currently resides in Oakland, California, and holds a Master of Fine Arts (MFA) from the University of California, Riverside, where she graduated in 2019.
Title: Associate Artistic Director
Pronoun Preference: He/Him
Devin A. Cunningham is a multidisciplinary artist from Oakland, CA. His selected credits include: Chuck Hall, Is God Is; Youth, Passing Strange; and Courtney Berringers, At The Wake of A Dead Drag Queen. He is the Associate Artistic Director of African-American Shakespeare Company and directed Cinderella, the company’s mainstay production, in 2022. Devin believes theatre is a living experience and an opportunity for community to be fortified through dramatic storytelling. Inspired by the progenitors of Black Theatre namely Baraka, Teer, and Wilson, Cunningham shares stories that reflect the non-monolithic nature of the Black experience. In his spare time, he’s either reading a play, curating a playlist, or riding a roller coaster, which is his favorite form of release.
Micaela is ecstatic to be finally acting in an African American Shakespeare production! Born and raised in Oakland, California, Micaela started acting at the Berkeley Black Repertory Group Theater’s summer camp at the age of 7. Throughout her years there, she performed in productions such as The Wiz, The Lion King, and Annie. In high school, her love for Shakespeare developed, participating in productions such as As You Like It and the classic Romeo and Juliet. Just last year, she had the pleasure of understudying as Goneril in Berkeley Shakes’ production of King Lear, and recently was an alternate as Rosalind/Amiens for San Francisco Shakespeare Festival’s touring show of As You Like It. Currently, she is studying acting at the Academy of Art University in San Francisco. Although her current training consists of acting techniques for the camera, Micaela still considers the stage to be her true home.
An M.F.A. graduate from the American Conservatory Theatre; and former Commissioner for the San Francisco Art Commission proudly serving former Mayor Gavin Newsom, Sherri Young founded The African-American Shakespeare in 1994 and has been its Executive Director since the beginning. She has directed twenty productions, produced and executed four programs, and speaks at various colleges, universities, and conferences across the nation. Young manages the approximately 60 company members and volunteers for the organization’s programs, performances, and productions. Some career highlights includes the creation of the company’s signature holiday performance Cinderella, effectively building and stabilizing the organization over the past few years, and an increase audience attendance and new funding support by foundations and individual donors. With her team, Young is spearheading new collaborations with local and national artists and art institutions.
Pronoun Preference: he/him
Benjamin’s passion for serving youth started early in his career, where he took on different roles at his local school district. His desire to work with children grew through his work at Big Lift Inspiring Summers for multiple programs, in which he taught STEAM-based curriculum and worked to help improve the reading and writing proficiency of students at elementary schools in his community. He graduated from St. Mary’s College of California in 2022 with a Bachelor of Science in Economics and a double minor in math and computer science, and upon graduating served as the program and business coordinator for Handful Players where he impacted students through his support of teaching artists, both inside and outside the classroom. Benjamin continues to utilize his quantitative and education-focused background today, while also pairing it with his appreciation for the arts.
Director of Education and Engagement
Pronoun Preference: He/Him
Dallas Thomas, the Director of Arts Education and Engagement at the African American Shakespeare Company, brings a wealth of dance training in hip-hop, jazz, contemporary, and musical theater. Since arriving in the Bay Area in 2016, Dallas has thrived in both the performing arts and education fields, excelling as a teaching artist and program director.
Beyond his professional role, Dallas co-owns and directs a youth dance non-profit alongside his husband, united by their mission to extend high-quality performing arts opportunities to underprivileged communities and support aspiring artists of color in their journey to become performing art educators. Dallas’s ultimate aspiration is to create an inclusive platform that empowers diverse talents to flourish in the realm of performing arts.
Title: Development Manager
Pronoun Preference: She/ Hers
Aalimah is a valuable member of our team at AASC, serving as our in-house grant writer, fundraiser, and planned-gift officer. She earned her Bachelor of Arts degree in English from the University of San Francisco, specializing in writing. Her passion for the arts and talent for writing make her an excellent asset to our organization. Aalimah has been instrumental in securing funding for our various programs and projects. With over two years of experience, she is committed to building stronger connections between AASC and our supporters. She is always available to answer any questions you may have about ways to contribute to our organization or become a member of our development committee or Legacy Society.
For more information, please contact Aalimah at aalimah@african-americanshakes.org.
Join us in supporting our mission to enrich the cultural landscape of African Americans through the performing arts.
Pronoun Preference: She/They
Gabrielle Davis is a creative, advocate, and storyteller. She studied at University of California Irvine, earning her Bachelor of Arts in Drama and a minor in African American studies while co-leading the student run Black theatre company on campus, Black Door. Gabrielle is also the Director of Marketing for CAARE productions, a production company centering BIPOC and LGBTQ artists. She’s always had a passion for bridging arts and activism to create connections and facilitate healing and change in the world. Her life goal is to diversify and increase accessibility to the arts. Gabrielle is excited for her work with AASC to continue to inspire through her art and leave behind a legacy of radical love.
Title: Operations Manager
Pronoun Preference: He/Him
Growing up in San Francisco, Darien gained an appreciation for the vastness of the world and the varied experiences of people from early age. The economic and opportunity inequities he observed and experienced growing up fueled a desire to help people on a fundamental level. This first inspired him to study biochemistry with the goal of working on medical research. After college, however he realized the change he wanted to affect was not behind a lab bench. In 2018 this revelation, and a serendipitous reconnection, brought him into the non-profit sector as the first shared employee of the recently merged Handful Players and African-American Shakespeare Company. Now 6 years on, Darien has found a home as Operations Manager of AASC, where he works to facilitate the work of the Bay Area’s many talented artists as they bring the depth of the human experience to the stage.
Title: Communication Specialist
Pronoun Preference: She/Her
Stephen Kate C. Banzon is a passionate and driven individual, who have always been captivated by the world of arts. She is committed to delivering impactful marketing strategies that resonate with audiences. While her professional journey is still in its early stages, she have already had the privilege of contributing to successful campaigns, leveraging social media platforms, and crafting compelling content. Stephen’s insatiable curiosity and willingness to learn allow her to adapt quickly and collaborate effectively with diverse teams. Eager to continue honing her skills, Stephen is dedicated to making a meaningful impact in the marketing landscape and bringing fresh perspectives to the table.
Pronoun Preference: He/Him
Donn K. Harris retired on July 1, 2019, from his position as the Executive Director of Creativity for the San Francisco schools, a post he held since 2016. He led the early effort in renovating an entire city block to create an Arts Center for students and the city. Prior to that he served as Executive and Artistic Director at Gov. Jerry Brown’s Oakland School for the Arts from 2007 through 2016. The school grew into a powerhouse of urban renewal, student creativity and academic strength. He was principal of the San Francisco Arts High school, named after beloved artists Ruth Asawa in 2010, from 2001 through 08. Appointed to the California Arts Council by Governor Jerry Brown in 2014 and 2017, Harris served three terms as the Chairman. His tenure was marked by great geographic diversity geographic in Council meetings and an increase in the budget from $4 million to over $30 million by 2018. Harris developed innovations in admissions policies that increased diversity at each of his positions.
Maurice Brewster brings more than 39 years of successful sales, sales management & entrepreneur experience to his position as Founder & Chief Executive Officer of Mosaic Global Transportation. Mosaic Global Transportation is an international, Certified Minority owned limousine & ground transportation business, with over 500 vehicles in their network worldwide. Maurice has served as a Board Member of the Western Regional Minority Supplier Development Council in Oakland, California and Chairman of the Minority Business Enterprise Input Committee. In 2011, Maurice formed a new Non-Profit Industry Group called the Minority Limousine Operators of America. Their main function is to provide education & opportunities for minority limousine owners worldwide. Prior to establishing Mosaic Global Transportation, Maurice held several senior & management positions with DuPont, GTE, SPRINT & MCI. He has a strong background in directing, building and managing successful sales teams in a variety of markets. Maurice holds a BS Degree in Business, with a Minor in Communications from the prestigious Lincoln University in Pennsylvania, where he graduated with honors. He continued his studies at UCLA’s Anderson School of Management and graduated in 2009.
Author, comedian and producer, Lolita Morrow is one of the industry’s most talented and dedicated advocates for diversity in content distribution and storytelling. A multi-faceted leader, she has over 20 years’ experience in various sales and marketing roles from Fortune 500 companies such as Pepsi and Miller-Coors. Lolita Morrow currently serves as Senior Director, Distribution for Showtime Networks.
As a comedian, she has performed at New York’s Caroline’s on Broadway, Broadway Comedy Club and other notable venues throughout New York and Los Angeles. In 2019, Lolita became an Associate Producer for the Award-Winning short film, Burden. Her book, Think Like a Bartender: Recipes for Life, is a 2020 Readers’ Favorite Silver Medal Winner in Non-Fiction. Most recently, Lolita was given the cover feature for the Winter 2020 Edition of Business Equality Magazine.
Lolita holds a Master’s in Communication from Seton Hall University, an MBA from the Jones School of Business at Texas Southern University and is a graduate of leading industry programs at Harvard Business School and Cornell University and Yale. Lolita is also a Board Member at The Center, proud member of the Television Academy and New York Women in Film and Television. She lives in New Jersey with her wife, Imani and there two boys.
Walter grew up in Hartford/Windsor, CT and he has lived in Austin & Houston, TX and now San Jose, CA as a result of his high-tech career. He is a graduate of Boston University and has a Masters in Management from Cambridge College which are both located in Boston, MA. Walter and his wife “V” and their 4 adult children enjoy family time, good food of all types, movies, theatre, arts, sports & traveling. Walter’s son Taylor is part of the Apple SDM organization in Austin, TX. Walter’s passion for supporting the Black in America & Business efforts started with his parents who were involved in the Civil Rights efforts in the 60’s & 70’s in the Hartford/Windsor, CT area. He currently works at Apple as the Corporate Procurement Director. Over the years he has been responsible for the Procurement teams in AppleCare, Chanel Sales Programs and Third-Party Products (3PP).
Since treading the boards in a production of The Matchmaker in Washington State, “Alx” has participated in stage productions from Ft. Lewis, Washington; to Ft. Benjamin Harrison, Indiana. Even during his 6-year stint as a Navy Journalist, Mr. Alexander found time for theater by co-writing, producing and appearing in a production commemorating the anniversary of the aircraft carrier USS Ranger (CV-61), performed on the ship’s Hangar Deck while the vessel was at sea in the Indian Ocean. Locally, Mr. Alexander has appeared in A Few Good Men, The Normal Heart, and Julius Caesar among others. Appearing again in Cinderella, Mr. Alexander was happy to “Duke” it out once more.
Clara McDaniel is a proud native San Franciscan with a reputation as one of the city’s sought-after actresses and vocalists. She recently retired as a para-educator with the San Francisco Unified School District. Clara is also a proud mother of three, grandmother of four, and has recently become a great-grandmother of one.
She is a member of Destiny Christian Fellowship Church located in Fremont, CA, and a member of the National Council of Negro Women (NCNW), Golden Gate Section.
Clara has been seen and heard in numerous churches, stages, platforms, radio interviews, and movies throughout the Bay Area. Some of her works include the movie The Rapture and performances with the African American Shakespeare Company in Cinderella, The Colored Museum, and The Trial of One Shortsighted Black Woman. At the Lorraine Hansberry Theater, she has appeared in Black Nativity, Ain’t Misbehavin’, Black & Blue, Eubie Blake Review, and Waiting to be Invited. She has also been part of the Knox Performing Arts Program’s Hit It and Bayview Opera House’s Bessie. Her performances extend to the Oakland Opera, Asian Art Museum, and Juneteenth Festivals.
Clara’s contributions to the arts and her community have left an indelible mark on the San Francisco cultural landscape.
Rachel Powell began acting as a child and developed her talent by attending San Francisco State University (SFSU), where she obtained a Bachelor’s degree in Theater, followed by a Master’s in Business. This unique combination of skills has allowed her to merge her artistic and business acumen.
Rachel has performed in numerous plays in the Bay Area with the Black Rep, including Lil Ham. More recently, she has showcased her talents with the acclaimed Celebration Arts Theater Group in Sacramento. Noteworthy performances include By the Way, Meet Vera Stark and For Colored Girls. Additionally, she has had rewarding experiences with the Matriarch Theater, performing in In a Pinch.
Looking ahead, Rachel dreams of writing, producing, and directing her one-woman show. With fingers crossed and prayers uplifted, she is committed to making this dream a reality.
Brittany Sade Young is an actor, writer, and director originally from Chicago, IL. Now calling the Bay Area home, she has trained in screenwriting at Second City (Chicago) and acting at Z/A Studios (San Francisco). She is excited to be working with the African-American Shakespeare Company. This spring, she choreographed the Salesian Boys and Girls Club musical, Legally Blonde Jr. In her downtime, she enjoys traveling, working on her screenplay, hiking, and dancing.
Choreographer
Born and raised in Oakland, CA, I grew up dancing at local recreation centers, church, and the Destined 2 Dance Studio and Performing Arts. I graduated from Holy Names High School and went on to major in Theatre Arts in college. I now hold a B.A. in Theatre from California Baptist University.
I have performed as a dancer in numerous musicals, including well-known favorites like The Wiz with the Malonga Arts Center in Oakland. My career has also taken me internationally, allowing me to share my passion for dance across borders.
Throughout my career, I have collaborated with several companies, choreographing and teaching dance. Currently, I am thrilled to be working with the African-American Shakespeare Company on a retelling of the life of Maya Angelou. I am very grateful for this opportunity and look forward to contributing to this meaningful production.
Alexa Briana Crismon is an actor, dancer, and singer originally from the Los Angeles area. She is excited to be working with the African American Shakespeare Company for the first time. Alexa studied at the University of California, Irvine, where she earned a BA in Drama. She also studied in a conservatory program in New York and showcased her talents in an Off-Off Broadway production called Dustin Gavin’s PI. Some of Alexa’s Regional theatre productions include All Shook Up at the Laguna Playhouse, where she had the honor of playing Lorraine, Haiti at Will Geer Theatricum Botanicum, and Fancy Nancy at the Chance Theatre. Alexa is also an advocate for trauma-informed healing and behavioral health. She has combined her talents and knowledge as an ACSW to cultivate healing through artistic expression.
Full Name: L. Peter Callender
Title: Artistic Director
Pronoun Preference: He/Him/His
Biography
L. Peter Callender is Artistic Director of African-American Shakespeare Company, former resident director at American Stage in St. Petersburg, Florida; Westcoast Black Theater Troupe in Sarasota, Florida; and is Associate Artist at N.Y. Classical Theater. Mr. Callender has had the honor of being a guest lecturer at Stanford University, for three years, teaching Acting Shakespeare and Fundamentals of Directing. He’s also conducted Master Classes in acting at Emory University (Atlanta) and at the Juilliard School, (New York City), where he received his formal training in theater.
His further training took him to Webber/Douglas Academy in London, England (now Central School of Speech and Drama), and Waseda Sho-Gekijo (Suzuki Technique) with Tadashi Suzuki in Toga-Mura, Japan. Mr. Callender is a multi-award-winning actor and director whose professional career spans over 45 years from Broadway to the Bay Area. Mr. Callender is also a renowned acting coach with clients locally, nationally, and internationally.